What I noticed most about this film was the playing upon tropes by the film's portrayal of Mexico. Like we said in discussion, the film parodies the Western genre, but what I noticed most was the playing upon particulars within Mexican representaion.
For one, I couldn't ignore the presentaion of modern versus antiquity in the first scene. Like Los Olvidados, this shows a Mexico in transition, and sets the time and place for the film's plot. Unlike Los Olvidados though, this film shows the people riding donkeys and in ponchos fully aware of their backwardness... they are shown in contempt for themselves almost.
Another trope of Mexican representaion was the constant presence of tequila. It was so present that it became materialized. The bottles were always clean and plentiful. Even though anyone agrees that they are a part of Mexican characteristic construction, they presence was so played upon that they seemed out of place almost. But I guess it could also be said that they were so present to be deemed an extension of their arms. I guess that discrepancy will be decided by each viewer.
The third trope I wish to reflect on is that of the chickens. There were chickens everywehre. I'm pretty sure that they shot a pot once that was hanging down and from it came a chicken. This play became tired out in the end, but I suspect that it is to personify its cliche.
The last trope which noticed in the movie was that of Germans. Their characteristics are overexpressed and so prevalent that again, this lends to the falacy of German representations in Western genre.